I Can't, I Have Rehearsal

Saturday night was the last performance of Festival@First.

Yesterday morning I got back to work on the graphics for The Lady's Not for Burning.

Last night was a read-through for a new Red Shift episode, to be recorded this weekend.

Tonight was the first read-through for Bare Bones: A Language of Their Own.  (Which, holy shit.  Powerful play.  Delicious language.  Great characters.  And my castmates are desireearmfeldt , dpolicar , and ladrescher, with the fabulous Judy Yen [who has an LJ but I'm forgetting what it is, sorry] directing us, so this is going to be a wonderful experience for both us and the audience.)

And it looks like I'm going to direct one of the plays for PMRP's The Big Broadcast of 1946 at the Somerville Theatre this fall, assuming we can find a way to work around the fact that I can't be there for auditions.

So, um, yeah... I may be a little busy for the next few months...

I Can't, I Have Rehearsal

Saturday night was the last performance of Festival@First.

Yesterday morning I got back to work on the graphics for The Lady's Not for Burning.

Last night was a read-through for a new Red Shift episode, to be recorded this weekend.

Tonight was the first read-through for Bare Bones: A Language of Their Own.  (Which, holy shit.  Powerful play.  Delicious language.  Great characters.  And my castmates are desireearmfeldt , dpolicar , and ladrescher, with the fabulous Judy Yen [who has an LJ but I'm forgetting what it is, sorry] directing us, so this is going to be a wonderful experience for both us and the audience.)

And it looks like I'm going to direct one of the plays for PMRP's The Big Broadcast of 1946 at the Somerville Theatre this fall, assuming we can find a way to work around the fact that I can't be there for auditions.

So, um, yeah... I may be a little busy for the next few months...